I am extremely proud of my work and application of new techniques. I think my biggest challenge was trying not to go over board with color saturation, because I have been trained to always use high saturation so images can be seen on stage and with lights. Considering I do not own a fancy camera and most of my pictures were actually taken years ago, I think I came up with some good pieces. I am particularly proud of my work with the gradient mask and meticulous selections. These were two techniques that I had no exposure to until this class and I found them to be a bit more challenging.
If I had more time, I may have tried to improve the continuity of lighting in documentation 6 with they guy's arms and hands, perhaps ever scrapping it and starting over. But at least now I have a conscious eye for details such as this which will only help me in the future.
Friday, March 16, 2012
Photo Midterm- Documentation 6
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| So definitely a neat place, but the lighting is inconsistent as the sky and building were very naturally saturated, and there was minimal exposure on the person's face. |
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| This is just the selection of the area I needed to brighten. The trouble was, his face was really burnt and the increase of saturation only enhanced this |
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| As you can see, this does put light on the face, but it is almost entirely desaturated. |
Photo midterm- Documentation 1
This honestly was a neat shot to begin with, but it was a pretty rough and pixelated image. Here we see the use of a noise filter and reducing JPEG artifacts:
I then decided to try out gradients on this picture, maybe to emphasize the red flower. So I first put a transparent layer mask on the background. I did not use black and white but rather played around with a very light beige and a darker tan, to mimic how light might actually hit the ruins.
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| Original |
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| Reduced Noise- increased Saturation |
I then decided to try out gradients on this picture, maybe to emphasize the red flower. So I first put a transparent layer mask on the background. I did not use black and white but rather played around with a very light beige and a darker tan, to mimic how light might actually hit the ruins.
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| With a transparent gradient mask |
Thursday, March 15, 2012
Photo Midterm- proposal
Five of the six photos for this midterm portfolio were taken on my spring break these past few years. This was a particular challenge because these photos were not initially intended to be higher quality or corrected later on, and it's not like I can go back to Greece or Paris to capture more. In addition, it was a nice treat to use these images because at the time a had little control over the weather or lighting and this offers a chance for me to add a sense of perfection to the shot which may have been dim and off center previously. Perhaps my biggest challenge, especially with my background as a set designer, with correcting then became not to take it too far and make it seem unrealistic.
My goal is to focus on a particular technique which I have learned to apply during the course for each picture. Obviously there is overlap, but as a general overview, I applied color correction using the curves to an extremely dim church in Cordoba, I cropped a plaza in Paris to adhere to The Rule of Thirds, I corrected a shadow cast of my friend's face in the Bahamas, looked to erase signs of JPEG pixels and add a gradient from Delphi, and apply a composite of many structures and scenery from Greece. The reason I would not categorize this as a project with a common underlying theme is that my sixth was a complex composite of many images to create a scene from the Hunger Games books. However, I am very proud with its result and therefore it is part of the portfolio.
My goal is to focus on a particular technique which I have learned to apply during the course for each picture. Obviously there is overlap, but as a general overview, I applied color correction using the curves to an extremely dim church in Cordoba, I cropped a plaza in Paris to adhere to The Rule of Thirds, I corrected a shadow cast of my friend's face in the Bahamas, looked to erase signs of JPEG pixels and add a gradient from Delphi, and apply a composite of many structures and scenery from Greece. The reason I would not categorize this as a project with a common underlying theme is that my sixth was a complex composite of many images to create a scene from the Hunger Games books. However, I am very proud with its result and therefore it is part of the portfolio.
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